African Americans Have Unique Lung Cancer Risks From Chronic Obstructive Pulmonary Disease

�Scientists at the M.D. Anderson Cancer Center have developed a risk prognostication assessment for lung cancer the Crab specifically for African Americans that suggests a greater risk from chronic clogging pulmonary disease (COPD), according to a report published in the September issuance of Cancer Prevention Research , a daybook of the American Association for Cancer Research.



Etzel and colleagues analyzed information from 491 African Americans with lung cancer and 497 African Americans without lung crab to identify risk factors for the disease. They then compared these danger factors with a antecedently established risk of exposure prediction model for whites.


What was unique to African Americans was the risk associated with chronic obstructive pneumonic disease. African American workforce with a prior history of continuing obstructive pulmonic disease had a more than six-fold increased risk of infection of lung cancer, similar to that seen with smoking. This is roughly two-fold higher than the risk typically seen from chronic obstructive pulmonary disease among whites.


"The one size fits all

Mp3 music: Tindersticks

Artist: Tindersticks: mp3 download    Genre(s):  Rock Indie Alternative Other ROck: Alternative     Tindersticks's discography:      Working for the Man: The Island Years    Year: 2004    Tracks: 28      Waiting for the Moon    Year: 2003    Tracks: 12      Tindersticks: II    Year: 2003    Tracks: 16      Can Our Love    Year: 2001    Tracks: 8      Simple Pleasure    Year: 1999    Tracks: 9      Curtains    Year: 1997    Tracks: 15      Bathtime    Year: 1997    Tracks: 4      Nenette Et Boni: Original Soundtracks    Year: 1996    Tracks: 14      Travelling Light    Year: 1995    Tracks: 3      Tindersticks    Year: 1995    Tracks: 21      No More Affairs    Year: 1995    Tracks: 3      Amsterdam    Year: 1994    Tracks: 9      Kathleen    Year: 1993    Tracks: 4 Tindersticks were one of the to the highest degree original and typical British acts of the Apostles of the '90s, standing apart from both the British indie view and the rash of Brit-pop guitar combos that henpecked the U.K. charts. Where their generation were oftentimes direct and to the point, Tindersticks were purblind and gentle, crafting impenetrable, difficult songs superimposed with literary lyrics, intertwining melodies, mumbling vocals, and gently melancholy orchestrations. Essentially, the mathematical chemical group filtered the dark romanticism of Leonard Cohen, Ian Curtis, and Scott Walker as filtered through the off-the-wall pop songcraft of Lee Hazlewood and the esthetics of indie rock and roll. Though their music was far from casual hearing, Tindersticks gained a dedicated cult following in the mid-'90s, root with their eponymic 1993 debut album, which was named Album of the Year by Melody Maker. The origins of Tindersticks lay in Asphalt Ribbons, a Nottingham-based indie john Rock band that featured vocaliser Stuart Staples, keyboardist David Boulter, and fiddler Dickon Hinchcliffe. All deuce-ace members formed Tindersticks in 1992; the unexpended members included guitarist Neil Fraser, bassist Mark Colwill, and drummer Al Macaulay. In November of 1992, the circle released its first single, "Patchwork," on its possess label, Tippy Toe. "Marbles" followed early in 1993, as did "A Marriage Made in Heaven," a coaction with Huggy Bear's Niki Sin that appeared on Rough Trade's Singles Club. Following the release of the Unwired EP on Tippy Toe, the freshman This Way Up signed the band. Tindersticks' eponymous debut appeared halfway through 1993, earning rave reviews from most sections of the British press. By the final stage of the year, the group and the album had won all over most of the U.K. critics, and Tindersticks was named Album of the Year by Melody Maker. Tindersticks spent a muted class in 1994, cathartic a single of John Barry's James Bond theme "We Have All the Time in the World" (On Her Majesty's Secret Service), a live album entitled Capital of The Netherlands, and a cover of Pavement's "Hither." Also that year, Tindersticks was released on Bar/None in the U.S. In the natural spring of 1995, the grouping released its ignoble second gear album, which featured cameos from Gallon Drunk's Terry Edwards and the Walkabouts' Carla Torgerson. Like its predecessor, it received rant reviews and appeared on about every British Top Ten name of the Best of 1995. In November of 1995, the mathematical group released some other live album, Bloomsbury Theatre. Tindersticks were restrained for to the highest degree of 1996, cathartic the soundtrack to the Claire Denis flick Nénette et Boni in the fall of the year. The record album was comprised of old songs, new songs, and rearranged old material. A new interlingual rendition of "A Marriage Made in Heaven," featuring vocals from actress Isabella Rosselini, was released a few months after Nénette et Boni; the single was later appended to the American release of 1997's Curtains. Their fourth endeavour, Simple Pleasure (1999), pronounced the band's near openhearted release since their inception. A unexampled deal with Beggars Banquet surfaced at the cockcrow of the new millennium, and a replenished unity within the band was establish on 2001's Can Our Love.... Later that year, Tindersticks provided the soundtrack to another Claire Denis photographic film, Trouble Every Day. The proper follow-up to John Our Love..., Waiting for the Moon, was released in mid-2003.

Pharcyde

   
Artist: Pharcyde

   Genre(s): 
Dance
   

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Discography:


   
 Plain Rap

   Year: 2000   
Tracks: 13

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An influential alternative tip quartette from South Central Los Angeles, the Pharcyde was formed by MCs/producers Tre "Slimkid" Hardson, Derrick "Fatlip" Stewart, Imani Wilcox, and Romye "Loot Brown" Robinson. Hardson, Wilcox, and Robinson were all dancers and choreographers wHO met on the L.A. resistance golf club circuit in the late '80s, worked together for a piece, and served a erolia minutilla as dancers on In Living Color. Stewart, meanwhile, performed at local clubs and finally aquiline up with the others in 1990. Under the guardianship of Reggie Andrews, a local elderly high school medicine instructor, the radical conditioned virtually the medicine industry and the process of recording an record album. They landed a deal with Delicious Vinyl in 1991, and a year subsequently released their case debut album, Freakish Ride II the Pharcyde, which went gold. After support slots for De La Soul and A Tribe Called Quest as well as a successful office on Lollapalooza's moment stage in 1994, the mathematical chemical group released its second album, Labcabincalifornia, which was calmer than their first just no less warped. After a five-year break which saw small action demur for the debut of Stewart as a solo rapper (his single "What's Up Fatlip" became an tube strike), the Pharcyde returned in late 2000 with their third album, Unmingled Rap. The group fractured even more during the subsequent trey years, going away only 2 members -- Imani Wilcox and Bootie Brown -- to islet of Man 2004's Humboldt Beginnings.

Tehss

   
Artist: Tehss

   Genre(s): 
Indie
   

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Discography:


   
 Underground

   Year: 2007   
Tracks: 13

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Weezer - Weezer Star Pulls Out Of Live Shows

Cole takes time out after allegations

Girls Aloud singer Cheryl Cole has reportedly left husband Ashley for a "break" after allegations the footballer cheated on her.
Her agent insisted the couple were still together but confirmed the singer had gone on a break in order to think things through.
ITN quotes him as saying: "They are definitely still together. There is obviously lots of stuff going on at the moment and Cheryl has gone away for a break to clear her head for a few days."
It has been alleged Chelsea player Cole cheated on his wife with a hairdresser.
It has also emerged that the singer recently told OK! magazine that later this year she wanted to "start working on that baby. I want to be a young mum".

50 Cent Meets Nelson Mandela In Africa -- And MTV News Is There!

50 Cent met Nelson Mandela on Wednesday during the MC's concert tour of Africa -- and MTV News was there!

Punctual Weiland gets Rave reviews

Scott Weiland held it together for Boston.
After reportedly running an hour late the last two nights of Stone Temple Pilots’ reunion tour, there was much speculation about the troubled vocalist’s ability to make it on stage and deliver a full set with the looming 11 p.m. Massachusetts curfew. But Weiland was only 10 minutes late for Boston and, along with drummer Eric Kretz, and DeLeo brothers bassist Robert and guitarist Dean, STP delivered the goods miraculously well to a nearly packed Tweeter Center last night, headlining this year’s WBCN [website] River Rave.
Wrapped up in a leather jacket, skin-tight jeans, sunglasses and a white cowboy hat, Weiland led the band through a torrential set that was all the reminder anyone needed of why STP remains an FM radio staple: talent and charisma.



No, his stage banter wasn’t 100 percent coherent, but from the slow-churning groove of the opener, “Big Empty,” to the tribal-rhythm-meets-glam-sass of “Big Bang Baby,” Weiland’s bluesy growl-n-howl sounded spot-on powerful.
It remained so for the duration as the San Diego four-piece cranked out its trademark grungy sound with palatable pop edges. Weiland shimmied, swiveled and shook through “Vasoline,” “Interstate Love Song” and the Nirvana-inspired “Creep,” which had the entire theater in a Bic-lighted sing-along.
STPs surprise triumph put a positive spin on a so-so afternoon of music, made strange by the volatile booze-marinated crowd.
Short sets from WBCN Rumble winners Girls, Guns and Glory; the Dropkicks-meets-Bosstones super group Street Dogs; and Knoxville, Tenn., quintet 10 Years were mostly ho-hum. Everlast, aka Erik Schrody, added diversity to the lineup with his all-black White Folks band cooking up a heavy bottom end. Schrody’s punchy metallic blues was augmented with plenty of hip-hop attitude .
Before a spirited but musically miserable set of selections from Hermosa Beach’s Pennywise, Richard Patrick and his new incarnation of Filter tried their best to rile the throng into a frenzy. Patrick’s performance was inspired and, once warmed up, his vocals were riveting. But things didn’t really gel at River Rave until Weiland turned up and everyone could breathe a sigh of relief.
That his performance was of such amazing quality was an unexpected joy.